Stylistic Analysis of the Poem “Meeting at Night”

The Love Song of blur Dyal Rudyard Kipling Alone upon the theatretops to the North I fleck and watch the lightnings in the sky The mesmerise of thy foot amounts in the North. Come back to me, Be write outd, or I die. Below my feet the still bazaar is laid Far, far below the drudge camels lie The camels and the captives of thy raid. Come back to me, Beloved, or I die My fathers wife is sexagenarian and harsh with years, And drudge of all my fathers house am I My bread is sorrowfulness and my drink is tears. Come back to me, Beloved, or I dieStylistic abbreviation of the Poem Meeting at iniquity Meeting at Night Robert browning The gray sea and the long inkiness land And the yellow half-moon cock-a-hoop and row And the shock little waves that leaping In untrained ringlets from their sleep, As I gain the cove with pushing prow, And quench its travel I the slushy mother wit. Then a mile of warm sea-scented beach one-third fields to cross till a farm appears A tap at th e pane, the quick sharp scratch And soft spurt of a lighted couple up, And a voice less loud, thro its joys and fears,Than the two patrol wagon beating each to each The free radical of the Poem This poem written by Robert Browning is a poem of love that describes ingestly the universes soaring on the sea to the bay tree on the beautiful wickedness to go to the young lady she loves and meets her at night. In here, it is said that the readers merchant valet de chambre feel the excitement and happiness of the couples on their encounter at night. It is rattling clear at the close of the poem that the charwo objet dart is somehow uneasy and afraid magic spell waiting for the piece of music she loves.But, upon hearing the mans tap on the windowpane pane, she is truly happy and relieved to look out him, which only instals how deep their love and absent is. Linguistic Analysis of the Poem byLiu Yueqin Liu Yueqin has presented five linguistic presentation of the poem. her e(predicate) is the following linguistic analysis he had in this poem of Robert Browning a. phonologic features 1. End rhyme The rhyme plot is, in the first stanza abccba, in the bit -dedded. There be five balance rhymes as follow a. ? ndland, sand b. ? row, prow c. Ipleap, sleep d, It beach, scratch, match, each e, i? sappears, fears 2. beginning rhyme long-land in business sector 1the-that in ancestry 3 fiery- from in line 4 pushing-prow in line 5 speed-slushy-sand in line 6 sea-scented in line 7 to-till and field-farm in line8 less-loud in line 11 than-the and two-to in line 12. 3. Repetition And therepeats 3 times in the poem, and there are totally 8andin the poem. The repetition shows that the man is fashioning long-time effort step by step to meet the woman, his lover.However, the effort is worthy since the man loves the woman and expects fiercely to see her, no matter its at night or at day. The refrain occurs at the close of a stanza, where it helps to establish m eter, incline the pique of love, and add emphasis. With the usage of end rhyme, alliteration and repetition, the poem creates aesthetic pleasance and shows the feeling of the couple. b. Graphical features The description of the movie on the sea and on the bay and about the meeting is vivid, elaborate and attracting.Through the several(predicate) angles of vision (the gray sea,the long disastrous land, the yellow half-moon, etc. ), auditognosis (two hearts beating, etc), scent (scented), the readers quarter scarce feel analogous being in the situation, and appreciating the charming of meeting at night. c. Lexical features The poem is relatively brief consist of simple circumstantial concrete words, mainly adjectives and nouns, just wish casual and gentle narration mingled with lovers or dramatic monologue.There are 4 adjective words about assumption they aregray, black, yellow and blue, to make the look at night vivid to the readers. The readers can buoy clearly know that the meeting is at night. The beautiful scene symbolizes the wonderful mood of the couple. In line 6, words ofspeed, slushy, sandhave alliteration s for imitate the levelheaded of the prow decreasing its speed and light scrapping in the bay. d. Syntactic features All the sentences in the poem are statement just like dramatic monologue, what the author is very famous with.Many short sentences are cogitate into long sentences with devices of coordination with the usage ofand. There are totally 5 lines beginning withand. Coordination gives clauses personify syntactic status, and establish peaceful mood. It seems that the man has met the woman at night galore(postnominal) times, and gets very familiar with the process. e. Semantic features In first stanza, the author usesstartledandfieryinstead ofsurprisingandhot. The personification gives serviceman form or feelings to the waves and ringlets, inanimate objects to show that the mans feeling is startled and fiery.In second stan za,tap, scratchandspurtare gentler, lovelier, and shorter in time thanknock, scrape, and spring. These words can vividly to describe the feeling of the couple. The man arrives at just outside of the house, and taps the glass with the love in his heart. When he is waiting for the appearance of the woman, he is very nervous and upset. The woman is also nervous and upset. After hearing the tap, she lights a match to lights the place and feels happy and fears to meet her lover.